Page 27 - PROTAGONIST 136
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Design Museum displays Wes Anderson’s archives for first time:
            Wes Anderson: The Archives, 21 November 2025 – 26 July 2026
            the Design Museum, London ©Richard Round-Turner
            ©Roger Do Minh ©the Design Museum










































            much Anderson loves to counterpose the visionary and sur-
            real pain and emotion of his characters with the chromat-
            ic and architectural harmony of his scenes. The subtle iro-
            ny and marked emotional intelligence is just a cherry on the
            cake. With the help of vintage and slightly psychedelic music
            – composed by Mark Mothersbaugh at first, then Alexandre
            Desplat – he projects the viewer into oddly elegant and mel-
            ancholic universes.
                An art show will soon allow the spectators to touch such
            atmospheres with their own hands.  Wes Anderson: The
            Archives, from November 21, 2025 to July 26, 2026, will turn
            the Design Museum of London into the first-ever international
            display of the filmmaker’s personal archive. With an itinerary
            encompassing a 30-plus-year career with over 600 original
            objects from his movies – from the famous candy-pink model
            of the Grand Budapest Hotel, nearly 10 ft long, to the puppets
            from Fantastic Mr. Fox − the retrospective will allow Ander-
            son fans to enter his world and observe it from close-up. With
            its original storyboards, handwritten pads, and iconic items
            like the vending machines from Asteroid City and Sam Shak-
            usky’s scout kit in Moonrise Kingdom, the show created with
            Cinémathèque française of Paris will help us understand how
            simply everything in his films, from Max Fischer’s uniform in
            Rushmore to the full version of the short Bottle Rocket, is a
            work of art.
                Everything deserves to be admired with care and atten-
            tion, perhaps making our own selves, for a few hours, become
            extravagant dwellers of his pastel-heavy world…



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