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anything in advance. When I was young, I’d work so I   Speaking of dreams, for an actor, the ultimate   Piefrancesco Favino and Alberto Galassi, Ferretti Group CEO, at the movie premiere held during the Venice International Film Festival
 could afford faraway trips with just a one-way ticket. I’ve   goal is making it in Hollywood. You succeeded,
 slept in every condition, in some of the weirdest places.   working with major international stars like Tom
 Hanks. What did they teach you?
 Now that you’re a husband and father of two   They confirmed the importance of the work eth-
 girls, and your schedule is so busy, do you miss   ic. It’s a part of me, but it’s also something that my
 traveling that way?  family taught me and was reinforced at the Academy
 A little bit, yes. I’m extremely happy with my life:   of Dramatic Arts where I studied. I spent a lot of time
 the things I wished for came true, so I would never   with Tom Hanks, six months while filming Angels and
 complain about having a family or the fact that I work   Demons. He became a role model for me. I never saw
 a lot. But I’m still enticed by the idea of an unplanned   him once lose his temper or behave as you expect a
 trip without time constraints, where I could just lose   star would.
 myself a little. And now that the girls are grown up,
 we’ll take a trip sooner or later.  Do you want to work abroad again?
 At the moment, I’d rather do stuff here in Italy.
 You piloted a Riva at night in the Venetian la-  I don’t like the idea that you’re considered successful
 goon while filming Riva in the Movie, which was lat-  only if you’ve made movies with the Americans. I’m
 er presented at the Venice Film Festival. What was   proud of being an Italian and European actor.
 that experience like?
 It was August, Venice was deserted, there were   Why did you decide to go into producing?
 only some locals and a few Italian tourists. That Riva   It wasn’t to have more control over what I do, it
 was extraordinary. The day before, I had the captain go   wasn’t out of frustration or anger. I see it as a contin-
 over everything with me because I wanted to be sure I   uous path: acting, directing stage plays, running an
 wouldn’t make any mistakes, not with such a precious   acting school, producing. I’m interested in the various
 boat in my hands. I had never seen Venice at night like   facets of this world of mine. I’m constantly exploring
 that. There was complete silence, a kind of limbo, like   it, getting involved and challenging myself, without
 a Felliniesque dream.   ever boring anyone or being bored myself.                                                              Enjoy responsibly.



 28  Portrait  Protagonist







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