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Ian Callum in the Jaguar style center next to the prototype I-PACE,    Page 11: F-PACE Jaguar model sketch detail by Ian Callum
      the first 100% electric SUV Jaguar nominated World Car of the Year 2019


      On our mood boards in the studio we often have pictures


      of yachts, both motor yachts and sailing yachts, as a form

      of inspiration.






















      Ian Callum, a main player on the world car design scene, encoun-  advent of electric cars. However, these days the car design busi-
      ters  Protagonist to describe his design philosophy and choices   ness is a hugely eclectic mix of different disciplines and it really
      that brought about his success. From Ford to Aston Martin up to   depends on what any individual wants to focus on. It could be ex-
      becoming Director of Design Jaguar in 1999, Ian Callum’s career   terior design, interior design, color and materials, or digitization.
      speaks of the future, the avant-garde, and the creative process
      that includes risks, aspirations, and great milestones.       MM:  How  important  are  creative  thinking  and  deter-
                                                                mined spirit in this profession?
          Matteo Milaneschi: What has inspired you and influ-       IC: The importance of creative thinking and determined
      enced your work?                                          spirit is absolutely essential. In fact, the whole idea of creativity in
          Ian Callum: In the early days of my career, I was influenced   modern society is completely essential these days. We are going
      by other designers, particularly Italian designers like Giugia-  through a period where problem-solving will become the number
      ro and Pininfarina. Later on my influence came from my own   one priority in so many people’s jobs and functions. After gener-
      thought process and a notion to move my work forward from one   ations of learning how to process and follow through in order, I
      stage to the next and bettering it each time, rather than from out-  think the time has come for people to start thinking out of the box
      side influences. I’m inspired by artists, designers, and objects—  more, absorbing different functions within one aspect at a time
      something that makes me look twice, that I can admire, or enjoy.   and therefore creating new ideas to resolve our current needs.
      It might be anything from architecture to a photograph—even   Without creativity and determination it’s not going to work—it’s
      music. I’m looking for a point of view I want to capture, not to   the very essence of what we do.
      physically copy it, but to capture the ethos it stands for.
          On our mood boards in the studio we often have pictures of   MM: Can you talk about the process that goes into mak-
      yachts, both motor yachts and sailing yachts, as a form of inspi-  ing a luxury automobile?
      ration. There is a sense of purity about a beautiful yacht that is   IC: The process in actually generating a new car is fairly ge-
      second to none and is something I can appreciate fully. They can   neric, taking around four years. It involves hundreds of people and
      be hugely inspiring when you get into the combination of func-  many different functions, from the first sketch through to 3D mod-
      tion, design, and details.                                eling and, of course, engineering every single component to work
                                                                as one. For a luxury car, this process would include more attention
          MM: Can you give us an idea about the skills required to   to detail and the opportunity to use more sophisticated methods
      pursue design automobiles of the future?                  and materials. The presence of a luxury car is hugely important.
          IC: The main skills are to be able to draw and think in three   For me, it needs to have an essence of powerful simplicity and
      dimensions. That is absolutely essential for any designer, but espe-  presence. We can do this through stance and silhouette, paying
      cially a car designer. A fundamental understanding of manufac-  attention to the formal language to create something that looks
      turing as well as some basic engineering of how cars are built is re-  elegant but confident—essential for Jaguar. For instance, the XJ is
      quired. For the future automotive world it would be advantageous   a perfect example of these attributes and time has shown that the
      to have skills and an understanding of physics, considering the   aesthetic of luxury can last.



      8        Cars                                                                                       Protagonist                          Protagonist                                                                                        Cars          9
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